RB3138 (Shooter)
Engineered for focus. Adopted for flair.
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1938Ray-Ban debuts the Shooter, designed for sportsmen and marksmen needing maximum clarity.
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1960sCounterculture icons embrace its eccentric silhouette.
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1980sThe Shooter’s circular center “bullet hole” becomes a signature design flex.
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2010sReintroduced in limited runs — instantly snapped up by stylists and collectors.

An Aviator, Reimagined
The Shooter takes the Aviator’s double bridge and kicks it up a notch — literally. The center “bullet hole” wasn’t just for show: it allowed marksmen to maintain vision and balance during long hours of focus.
But let’s be honest — today, it’s more of a flex than a function. That loop in the middle? It says, “I don’t follow trends — I fire them.”

The Most Eccentric Ray-Ban? Probably.
The Shooter is what happens when Ray-Ban lets the engineers get weird. And we’re glad they did. With a high-set brow bar, deep lenses, and sculpted temple tips, it walks the line between tactical utility and fashion-forward oddity.
If the Aviator is the jock, the Shooter is the intense loner with perfect posture and stories to tell.

Cult Cool in the 21st Century
The RB3138 isn’t for everyone — which is exactly why it works. Paired with leather jackets, structured trench coats, or wide-legged tailoring, the Shooter turns heads in a way few frames can.
It’s a sunglasses mic drop — retro, rare, and radically self-assured.
Marketing & Advertising
Ray-Ban rarely markets the Shooter front and center — it’s more often hidden in the wings, available but unspoken. That’s because it sells itself on scarcity and edge.
In the rare campaigns it features, the tone is dark, intense, and a little mysterious — the sunglasses equivalent of a film noir monologue.
Notable Sightings

Hunter S. Thompson
Wore Shooters during his wilder years — as unpredictable as the frame itself.

Johnny Depp
Carried the torch (and the loop) in *Fear and Loathing*.

Solange Knowles
Proof the Shooter works across genres — and genders.



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